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To help you to
understand art basics, each student receives a theory course pack to read at
his leisure. The subjects of the articles contained therein are summarizing
most of the various practical aspects of sculpture that are covered in the
class and some additional interesting theory.
Abstraction, what is
Anatomy, The Importance of
Anatomy, Structure of the Skull
Armatures
Art, what is it?
Art and Communication
Attitude and
Professionalism
Aura, Energy and 'Presence'
'Bypass Technique' in
Drawing or Modelling
Carving
Carving Soapstone
Casting
Chief
Line, Plumb Line, Line of Gravity, Axes
Clay, Building and Firing of
Sculptures
Close ups, The Figure in Gradient Approach
Colour
Colour
in Sculpture, The Evolution of Form
Compositional Devices in Sculpture
Composition and Design, Unity of Balance
Concepts and Symbols, The
Mechanism of
Constant Cross Referencing, The Importance of
Continuation
of Lines, The Law of
Contour
'Cross Contours'
Copper Beating
Creative Sequence in Art
Creativity, The sequences of the Creative
Process
Drapery
Drawing and Perception in Sculpture
Drawing as
Language
Drawing: Global Skills
Drawing, A Practical Approach
Exercises, 30 Different Aspects
Expression of the Intangible
Expression, Motion and Emotion
Form and Weight, Weight and Energy, Mass and
'Core'
Formal vs. Technical Problems
Generalisation vs. Simplification,
How to Recognise Essence
Gestalt, Definition
Gesture
Ideas and
Inspiration
Interaction of Medium and Meaning
Knowledge
Leather
Line In Drawing and Sculpture
Marks, Traces of a Process vs. Surface
Mark-making in Drawing and Sculpture
Masses and Energies
Masses,
Distribution of
Masses and Relative Motion
Masses, 'Spaces of Rest
Between the Masses'
Masses and Tension
Modelling Face, Eye, Ear, Mouth,
Nose
Modelling Hands
Modelling Hair
Modelling the Figure
Negative Spaces
Papier Maché
Patinas
Perception and
Information in Drawing and Sculpture
Perception vs. Senses
Perspective
and Sighting
Plane and Surface
Planes and the 'Radiation of Lines'
Plaster of Paris
Portrait in Sculpture
Positioning in Space
Proportions, Comparative
Relief Sculpture
Relief Sculpture and 'The
Superimposition of Planes'
Relief Sculpture, Relative Projections and Tonal
Range
Rhythm in Sculpture
Sculpture
Sculpture, Traditional vs.
Contemporary Conventions
Shape and Form in Sculpture
Silicone Mould
Making
Space in Sculpture
Structure vs Function
Stylisation
Surface Structure and Tension
Talent and Potential
Terracotta and
Firing Basics
Texture and Surface Structure
Texture, Compositional
Tone
Tools, Extensions of Self
Torsos
Traditional Techniques and
Principles
The list is
growing.
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